This season, Viennese soprano Miriam Kutrowatz will be back at the Opernhaus Zurich as Atalanta in Händels Serse and reprise her role as Euridice in Orfeo. In addition, she will make her debut at Komische Oper Berlin as Edwige in Robinson Crusoe and celebrate her debut at the Johann Strauss Festjahr by taking part in the opening concert at the Wiener Musikverein and in the production of Der Zigeunerbaron as Arsena. In January 2025 she will sing the soprano in Bach’s B minor mass both with the Orchestra dellÀccademia Santa Cecilia and the Czech Philharmonic under the baton of Semyon Bychkov. She will make her debut at Het Concertgebouw as Mater Gloriosa in Mahlers Eighth Symphony under Klaus Mäkelä.
During her time as a member of the opera studio at the Wiener Staatsoper, she debuted the role of Papagena in Die Zauberflöte and sang roles like Giannetta in L'Elisir d'Amore, Najade in Ariadne auf Naxos, Modistin in Der Rosenkavalier, Ida in Die Fledermaus, die Vertraute in Elektra, Konstanze in Entführung aus dem Serail (Childrens Version), Flower Maiden in Parsifal, Fortuna in Il Ritorno di Ulisse, Pousette in Manon, Falke, Hüter der Schwelle and Dienerin in Die Frau ohne Schatten under the baton of Christian Thielemann and Hanne in Haydn's Seasons.
On the concert platform, sang Mater Gloriosa in Mahler's Eighth Symphony with the NDR Elbphilharmonie Orchestra at the Elbphilharmonie Hamburg and Mozart’s Exsultate Jubilate as part of the Allegro Vivo Festival. She also appeared as Deianira in La Lotta d'Ercole at the Cologne Philharmonie and sang the soprano part in Bach's Mass in B minor with the Vienna Academy Orchestra. At the Styriarte Festival, she performed Mozart's Coronation Mass, Beethoven's Kantate auf den Tod Kaiser Josephs, as well as Handels Alexanders Feast and Mozarts great mass in c minor under the baton of Jordi Savall.
From 2020-2022, Miriam Kutrowatz was a member of the Young Ensemble at the Theater an der Wien, where her roles included Idaspe in Il Bajazet, Marie in Der Waffenschmied, First Niece in Peter Grimes, L'Amour in Orphée et Eurydice, Zerlina in Don Giovanni, Suzanne in Therese Raquin and Alinda Il Giasone.
As part of the Young Singers Project, she made her Salzburg Festival debut in 2021 in the title role of the children's opera Vom Stern der nicht leuchten konnte. Other roles on the opera stage were Gretel in Hänsel und Gretel at the Schönbrunn Palace Theatre and Morgana in Alcina at the "JOpera" festival.
Highlights of her concert and song work include The Creation (Haydn), Mozart’s Exultate Jubilate and Great, Schubert’s Mirjams Siegesgesang and Der Hochzeitsbraten as well as Filia in Carissimi’s Jephte, Handel's Messiah, and Mahler's 4th Symphony.
She made her debut at both the Vienna Musikverein and the Vienna Konzerthaus in Mozart's Requiem and appeared there in various programs under Phillipe Jordan, Andrés Orozco Estrada and Heinz Ferlesch.
Miriam Kutrowatz is a multiple prize-winner at the Innsbruck Festival's International Cesti Singing Competition for Baroque Opera 2019 and a semi-finalist at the Glyndenbourne Opera Cup 2020.
She completed her master’s degree with Florian Boesch and KS Edith Lienbacher at the University of Music and Performing Arts Vienna. She attended master classes with Marjana Mijanovic, Linda Watson, Malcolm Martineau and Brigitte Fassbaender, among others and received lessons in contemporary dance from the Austrian choreographer Doris Uhlich.
This season, Viennese soprano Miriam Kutrowatz will be back at the Opernhaus Zurich as Atalanta in Händels Serse and reprise her role as Euridice in Orfeo. In addition, she will make her debut at Komische Oper Berlin as Edwige in Robinson Crusoe and celebrate her debut at the Johann Strauss Festjahr by taking part in the opening concert at the Wiener Musikverein and in the production of Der Zigeunerbaron as Arsena. In January 2025 she will sing the soprano in Bach’s B minor mass both with the Orchestra dellÀccademia Santa Cecilia and the Czech Philharmonic under the baton of Semyon Bychkov. She will make her debut at Het Concertgebouw as Mater Gloriosa in Mahlers Eighth Symphony under Klaus Mäkelä.
During her time as a member of the opera studio at the Wiener Staatsoper, she debuted the role of Papagena in Die Zauberflöte and sang roles like Giannetta in L'Elisir d'Amore, Najade in Ariadne auf Naxos, Modistin in Der Rosenkavalier, Ida in Die Fledermaus, die Vertraute in Elektra, Konstanze in Entführung aus dem Serail (Childrens Version), Flower Maiden in Parsifal, Fortuna in Il Ritorno di Ulisse, Pousette in Manon, Falke, Hüter der Schwelle and Dienerin in Die Frau ohne Schatten under the baton of Christian Thielemann and Hanne in Haydn's Seasons.
On the concert platform, sang Mater Gloriosa in Mahler's Eighth Symphony with the NDR Elbphilharmonie Orchestra at the Elbphilharmonie Hamburg and Mozart’s Exsultate Jubilate as part of the Allegro Vivo Festival. She also appeared as Deianira in La Lotta d'Ercole at the Cologne Philharmonie and sang the soprano part in Bach's Mass in B minor with the Vienna Academy Orchestra. At the Styriarte Festival, she performed Mozart's Coronation Mass, Beethoven's Kantate auf den Tod Kaiser Josephs, as well as Handels Alexanders Feast and Mozarts great mass in c minor under the baton of Jordi Savall.
From 2020-2022, Miriam Kutrowatz was a member of the Young Ensemble at the Theater an der Wien, where her roles included Idaspe in Il Bajazet, Marie in Der Waffenschmied, First Niece in Peter Grimes, L'Amour in Orphée et Eurydice, Zerlina in Don Giovanni, Suzanne in Therese Raquin and Alinda Il Giasone.
As part of the Young Singers Project, she made her Salzburg Festival debut in 2021 in the title role of the children's opera Vom Stern der nicht leuchten konnte. Other roles on the opera stage were Gretel in Hänsel und Gretel at the Schönbrunn Palace Theatre and Morgana in Alcina at the "JOpera" festival.
Highlights of her concert and song work include The Creation (Haydn), Mozart’s Exultate Jubilate and Great, Schubert’s Mirjams Siegesgesang and Der Hochzeitsbraten as well as Filia in Carissimi’s Jephte, Handel's Messiah, and Mahler's 4th Symphony.
She made her debut at both the Vienna Musikverein and the Vienna Konzerthaus in Mozart's Requiem and appeared there in various programs under Phillipe Jordan, Andrés Orozco Estrada and Heinz Ferlesch.
Miriam Kutrowatz is a multiple prize-winner at the Innsbruck Festival's International Cesti Singing Competition for Baroque Opera 2019 and a semi-finalist at the Glyndenbourne Opera Cup 2020.
She completed her master’s degree with Florian Boesch and KS Edith Lienbacher at the University of Music and Performing Arts Vienna. She attended master classes with Marjana Mijanovic, Linda Watson, Malcolm Martineau and Brigitte Fassbaender, among others and received lessons in contemporary dance from the Austrian choreographer Doris Uhlich.