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Alongside his work in numerous collaborations and bands, Austrian musician Abby Lee Tee has been releasing a steady stream of constantly-evolving solo material since 2009, nurturing a passion for field recordings and unusual instruments. His fascination for the divisions and crossovers between noise and music, as well as nature and culture, can be seen in his work with installations, sound-walks, sound design for theatre and audiovisual projects, as well as records on labels such a Shash, Czaszka, Never Anything, Vertical Music, Falt, Tsss Tapes, Dinzu Artefacts and Accidental.
Since 2020, he’s researching beavers and their vocalizations, winning the “Sound of the Year” award in the category “Best Naturally Occuring Sound” as
well as the “Boughton Fieldcraft” award by the Wildlife Sound Recording Society.
Alongside his work in numerous collaborations and bands, Austrian musician Abby Lee Tee has been releasing a steady stream of constantly-evolving solo material since 2009, nurturing a passion for field recordings and unusual instruments. His fascination for the divisions and crossovers between noise and music, as well as nature and culture, can be seen in his work with installations, sound-walks, sound design for theatre and audiovisual projects, as well as records on labels such a Shash, Czaszka, Never Anything, Vertical Music, Falt, Tsss Tapes, Dinzu Artefacts and Accidental.
Since 2020, he’s researching beavers and their vocalizations, winning the “Sound of the Year” award in the category “Best Naturally Occuring Sound” as
well as the “Boughton Fieldcraft” award by the Wildlife Sound Recording Society.
