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Hannah Eisendle is a conductor, composer and pianist. She is particularly interested in performing works of the 20th and 21st centuries. In June 2023, she made her debut as conductor of the ORF Vienna Radio Symphony Orchestra with Britten's Four Sea Interludes in the Great Hall of the Vienna Musikverein, where she had already conducted the Austrian premiere of Britten's Ballad of Heroes three months earlier, alongside works by Stravinsky and Bernstein. She was also assistant to Cristian Măcelaru at the Orchestre National de France, conducted concerts with the Göttinger Symphonieorchester and led music education concerts with the Tonkunstler Orchestra, with whom she premiered her orchestral work crushed ice II at the Grafenegg Festival in 2020.
In line with her preference for collaborating with artists from different genres, an important focus of her activities is opera. Since August 2023, she has been working at the Stadttheater Klagenfurt, where she recently made her debut as a conductor with Johann Strauss' Die Fledermaus. She was conductor and musical assistant of the youth opera at the Theater an der Wien for several years, was musical director of the children's opera there and assisted in several productions of the Neue Oper Wien. She was also musical assistant and conductor at oper rundum for two years and assisted with Janáček's Jenůfa at the Théâtre du Capi-tole de Toulouse. As a composer, she was commissioned by the Vienna State Opera to compose a youth opera entitled Elektrische Fische, which premiered in January 2024. Her orchestral work Heliosis, commissioned by the ORF Vienna Radio Symphony Orchestra, met with great international acclaim, including at the BBC Proms in London.
Hannah Eisendle studied composition and conducting at the University of Music and Performing Arts Vienna and piano at the University of Music and Performing Arts Hamburg. She received important impulses for her work in conducting master classes with Marin Alsop, Cristian Măcelaru, Johannes Schlaefli and Sigmund Thorp, as a participant in the Darmstadt Summer Course and as a Conducting Fellow at the Cabrillo Festival of Contemporary Music in Santa Cruz (CA).
Hannah Eisendle is a conductor, composer and pianist. She is particularly interested in performing works of the 20th and 21st centuries. In June 2023, she made her debut as conductor of the ORF Vienna Radio Symphony Orchestra with Britten's Four Sea Interludes in the Great Hall of the Vienna Musikverein, where she had already conducted the Austrian premiere of Britten's Ballad of Heroes three months earlier, alongside works by Stravinsky and Bernstein. She was also assistant to Cristian Măcelaru at the Orchestre National de France, conducted concerts with the Göttinger Symphonieorchester and led music education concerts with the Tonkunstler Orchestra, with whom she premiered her orchestral work crushed ice II at the Grafenegg Festival in 2020.
In line with her preference for collaborating with artists from different genres, an important focus of her activities is opera. Since August 2023, she has been working at the Stadttheater Klagenfurt, where she recently made her debut as a conductor with Johann Strauss' Die Fledermaus. She was conductor and musical assistant of the youth opera at the Theater an der Wien for several years, was musical director of the children's opera there and assisted in several productions of the Neue Oper Wien. She was also musical assistant and conductor at oper rundum for two years and assisted with Janáček's Jenůfa at the Théâtre du Capi-tole de Toulouse. As a composer, she was commissioned by the Vienna State Opera to compose a youth opera entitled Elektrische Fische, which premiered in January 2024. Her orchestral work Heliosis, commissioned by the ORF Vienna Radio Symphony Orchestra, met with great international acclaim, including at the BBC Proms in London.
Hannah Eisendle studied composition and conducting at the University of Music and Performing Arts Vienna and piano at the University of Music and Performing Arts Hamburg. She received important impulses for her work in conducting master classes with Marin Alsop, Cristian Măcelaru, Johannes Schlaefli and Sigmund Thorp, as a participant in the Darmstadt Summer Course and as a Conducting Fellow at the Cabrillo Festival of Contemporary Music in Santa Cruz (CA).
